Streaming TV now costs about the same as Meta, and it's just as targeted and measurable. Advertisers report 2x to 3x the return. But getting on TV is only half of it. The other half is an ad that actually makes people call or click. Hacking Advertising LIVE is a one-evening workshop at the Wild Gravity studio in Seattle where I show you how to make great TV creative and how to get it on the air for about $50 a day. It's built for owners already spending $5,000 a month or more on Meta. Two rooms of Seattle businesses have been through it. Six of them built their first TV commercial, and three of them are making theirs right now.
TELL ME WHEN THE NEXT ONE OPENSOne evening · Twenty seats · Taught in the same studio where ads for Amazon, Microsoft, and Nintendo get made.
For decades, TV was the most powerful ad medium on earth and the least accessible. You bought shows and networks, paid a fortune, and never really knew what it got you.
Streaming ended all three problems at once. You target by zip code, household income, age, and interest, and track the visits, leads, and sales your ad drives, the same way you track Meta and Google. And TV media has never been cheaper: entry pricing starts around $50 a day.
You're not in the same auction. Every competitor you have is bidding on the same Meta inventory for the same customer; that's why your cost per lead keeps climbing. On streaming, most of them aren't there yet. And nobody scrolls past a television ad: full screen, sound on, no skip button.
Fewer bidders, more attention, at a fraction of the old cost, and it lasts only until your competitors arrive. That's the window, and it's the reason to move this year instead of next.
WEAK CREATIVE DOES NOT PERFORM BETTER ON A BIGGER SCREEN.
IT SIMPLY FAILS BIGGER.
The door is open.
What separates the businesses that win on that screen from the ones that burn money on it?
Imagine making an ad so effective that a month after it launches, you have to call your media agency and tell them to turn it off. Not because it isn't working. Because it's working so well your team can't keep up with the leads.
That's exactly what happened when Wild Gravity made Unlock their first TV commercial.
And it wasn't the first time. The first TV ad Redfin ever ran? Same story. I made it, it flooded the phones, and it came off the air because there weren't enough people to call the leads back.
Once is a good ad. Twice is a formula. It's the same formula the six founding-cohort businesses used to build their ads.
At Hacking Advertising LIVE, you learn it from the guy who did that. Twice.
Brands that win don't start with "let's shoot a commercial." They start with the science. They start with the formula.
Madison Avenue developed it. Hollywood knows it. Nike knows it. Apple knows it. Coca-Cola knows it.
And Jon Sneider knows it.
As the former head of advertising for Microsoft, Redfin, and L.L.Bean, and the author of Hacking Advertising, Jon Sneider has learned that five key metrics separate highly effective advertising from ads that are inconsistent, unpredictable, and expensive.
At Hacking Advertising Live, he's going to show you exactly what those five metrics are, how to use them to evaluate your own advertising, and how to create an ad that is built to convert before you ever put it on TV.
HERE'S ONE OF THEM, FREE. BREAKTHROUGH.
Before an ad can persuade anyone, it has to get noticed at all, and most ads never are. Not disliked. Not disbelieved. Just never seen by the people paying for them.
Go score your last ad on that one thing and you'll know more than you did this morning. The other four are taught live, in the room.
Jon Sneider has been head of advertising for Microsoft, Redfin, and L.L.Bean and has executed over a billion dollars in advertising.
He learned how to "hack" advertising to make world-class ad creative for a fraction of the time and cost of ad agencies.
His creative production shop, Wild Gravity, produces advertising for Amazon, Microsoft, Nintendo, Coke, LEGO, and many more.
Now he's teaching business owners how to leverage the secrets of the big boys so you can have advertising that performs like theirs does.
The first Hacking Advertising LIVE ran in August at the Wild Gravity studio. Seventeen business owners: lawyers, realtors, electricians, marketing, SaaS, and AI professionals. Real Seattle businesses, real ad budgets. The second ran in October, same room.
Six of those businesses joined the six-week Creative Construction Program that came out of it. They graduated six weeks later with a script, storyboards, and a media plan for their first TV commercial.
Three of them have now signed on to make and launch that ad.
“I originally joined Hacking Ads to learn how to create better advertising, but it turned into much more than that. Jon Sneider and the Wild Gravity team taught us how to think differently about marketing, messaging, storytelling, and understanding what really motivates customers. Every week I left with new ideas that I could immediately apply to my business, and I found myself looking forward to each session.
One of the biggest surprises was the group itself. We had business owners from different industries, but everyone genuinely wanted to help each other succeed. The conversations were honest, the feedback was thoughtful, and over the course of the program we built real friendships. Jon created an environment where people were willing to share ideas, challenge each other, and celebrate each other's wins. That collaborative atmosphere made the experience just as valuable as the curriculum.
If you're expecting another marketing course full of generic advice, this isn't it. Hacking Ads changes the way you think about communicating with customers and building a business. I walked away with a completely new advertising strategy, a television commercial I'm genuinely excited about, and a sales funnel that reflects how we want to serve our clients. More importantly, I walked away with relationships that I expect will last well beyond the program. I highly recommend it to any business owner who wants to become a better marketer and a better communicator.”
“Marketing is not my jam. I know our message and the problem we solve. This session helped me frame all of my thoughts into a focused message I feel will connect with our target audience. I'm excited about the potential this opportunity presents. Jon is f***ing awesome.”
“Excellent program. It accelerated my future plans to be on TV someday. It brought what I thought was out of my budget today to something attainable. Be ready to prioritize marketing. Plan on new business, and be ready to cash in!”
“We have known Jon Sneider for years. We are partnering with him on the Hacking Advertising program, and it has been amazing. We brought an idea to the table, and he and his team created an entire commercial concept for us, start to finish, every single detail. It made it so much easier for us. And it is so much fun. We had a blast.”
“Really excited to be part of this first Hacking Ads cohort. I have learned a lot about the process. I wanted to experience and learn more about Wild Gravity from the inside out. It has exceeded my expectations. This is my first experience with any kind of production company. I think this is just the beginning.”
The next one isn't on the calendar yet. Same room, same system, sharpened by everything the first two rooms taught us. When the date is set, the people on the list hear first, and the room holds twenty.
TELL ME WHEN THE NEXT ONE OPENSYou'll also discover why streaming TV has become one of the most accessible and powerful advertising opportunities for growing businesses, along with the exact path to getting your business on TV in the next 60 days.
If you are already spending money on Meta, Google, YouTube, or other digital platforms, this workshop will help you stop guessing, strengthen your creative, and get more from every advertising dollar you spend.
This isn't a lecture. We'll pull real ads up on screen and tear them down live: score them with the Five Magic Metrics, find the weak spot, and rebuild them using the actual science of what makes an ad perform.
Here's how an evening runs. About three hours, with a break in the middle.
The scoring model that tells you in seconds whether any ad will convert, and the five moves that build one that does.
How the pros generate winning ad concepts in an hour instead of a month.
The build order for an ad that converts. What goes in the first three seconds, what has to repeat, and what to cut. The formula scores an ad. The blueprint builds one.
Why streaming TV is the best money in local advertising right now, and exactly how to buy it: about $50 a day, targeted by zip code and income, tracked like your digital ads.
That 2-3X is from the streaming platforms' own case studies (tvScientific, MNTN), so weigh it accordingly. Whether you get there depends on your creative, which is the entire reason this workshop exists.
Depends who makes it. One of the options is you.
The formula works the same whether the ad gets shot on a phone, made by the person you already use, or made by us. What you get at the workshop is the ability to tell a good ad from a bad one before anyone spends a dollar shooting it.
Wild Gravity has been making TV ads for Amazon, Microsoft, and Nintendo for nine years, at a fraction of agency cost. If you want us to make yours, that starts at $5,000 for a finished spot you can put on air. But you don't need us. The workshop is where you learn to make your own.
Not scheduled yet. The first two ran in August and October 2026 at the Wild Gravity studio in Seattle, and the next date gets set when the current group of businesses is through production. Get on the list above and you hear before it's posted anywhere.
Both of the first two were under fifty dollars a seat. The price for the next one gets set with the date.
There is one offer, at the end: a five-week program where I build your ad with you. That's the only thing sold that night and you'll see it coming. Wild Gravity also makes ads for a living, and if you want us to make yours, that starts around $5,000. The workshop is built to work even if you never spend another dollar with us. You'll walk out able to brief this to anyone, including the person you already use.
It's one evening, after most of the workday is already behind you. One rebuilt ad pays for the workshop many times over.
GEICO sells car insurance. Insurance. The most effective ad systems in the world were built on categories exactly like yours. Boring businesses are where great creative pays the most.
Yes. Self-serve streaming TV platforms publish that entry pricing. Zip-code and income targeting included. We name the exact platforms and walk through them on screen.
Send us the ad you're running when you register and it may be one of the ones we put on the big screen. Every teardown that night comes from a real business, most of them in the room. Either way you leave able to score and rebuild your own ads on your own.
Contact us before the workshop and we'll transfer your seat to someone from your business.
The Wild Gravity studio: 105 14th Ave, Seattle, on the corner of 14th & Yesler. Free parking all around the building.
Yes. Bring your business partner, your marketer, or another owner. The owner should still be in the room; the decisions this workshop changes are owner decisions. Guest details come with the date.
Hacking Advertising (An Inc. Original) hit #1 New Release, became a 5x best seller, and holds over 40 five-star reviews. It's the playbook this workshop is built on: world-class ad creative for a fraction of the time and cost of ad agencies.
At the workshop you get the system live, applied to real ads in front of you. Until then, the book is most of the method, and the hardcover is on Amazon.
GET THE BOOKSix businesses from the first room built their first TV commercial, and three of them are making theirs right now. Join Jon Sneider at the Wild Gravity studio and learn the system they used: advertising that gets noticed, gets remembered, and gets results.
TELL ME WHEN THE NEXT ONE OPENSLeave your email. You hear first.